国产99视频精品免费专区-亚洲中文无码av永久主页-在线乱码一卡二卡三卡四卡-成人网站国产99

    保存到瀏覽器 分享

歐洲的某個地方

5.0
  • 很差
  • 較差
  • 還行
  • 推薦
  • 力薦
     草民影院為您提供《歐洲的某個地方》免費在線觀看地址,影片主演列表、影片相關資訊、海報圖片、上映更新時間、主演其他影片、 以及《歐洲的某個地方》劇情等內容。影片播放地址:如果喜歡這部影片《歐洲的某個地方》,分享鏈接 http://www.ofjtyp.cn/zub/108793.html。
  • 年份:1948 地區(qū):其它 類型:劇情 
  • 狀態(tài):HD中字 / 12-11
  • 主演:Artúr Somlay Miklós Gábor Zsuzsa Bánki 
  • 導演:Radványi Géza 
  • 簡介:Somewhere in the remote region, the war ends. In the mi 詳細 >
 分享

歐洲的某個地方播放列表

 當前資源由閃電在線提供 - 閃電在線
 當前資源由無盡提供 - 在線播放,無需安裝播放器

歐洲的某個地方劇情介紹

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form. 展開全部

草民影院猜你喜歡

  • 1.0

    捉鬼有限公司粵語

    陳百祥 邱淑貞 吳君如 陳山河 郭秀云 曹查理 

  • 1.0

    美麗至極

    朱塞佩·馬吉奧 Eleonora Gaggero Ludovica Francesconi Elisabetta Coraini Luca John Rosati Ilaria Antonello Michele Franco 弗蘭科·拉韋拉 Alessia Olivetti Gaja Masciale Matteo Sintucci Jozef Gjura Edoardo Rossi Demo Viola Maurizio Cerchiaro 

  • 2.0

    沙漠中的最后時日

    伊萬·麥克格雷格 塞倫·希德 泰伊·謝里丹 阿耶萊特·祖里爾 

  • 1.0

    羊羔

    雷迪亞特·阿馬雷 基迪斯特·西約姆 維尼拉·阿塞法 

  • 2.0

    白色嚴冬

    弗洛里安·盧卡斯 大衛(wèi)·克勞斯 斯蒂格·亨里克·霍夫 拉克蘭·尼布爾 魯伯特·格林特 Kim Haugen Knut Joner Morten Faldaas Sondre Krogtoft Larsen 

  • 2.0

    第一書記

    楊立新 徐帆 王麗媛 李若思 何冰 黃素影 李世龍 田成仁 蔣雯麗 黃宏 宋丹丹 王剛 趙屹鷗 徐滔 陳小藝 劉儀偉 

  • 2.0

    貓與爺爺

    立川志の輔 柴崎幸 小林薰 田中裕子 柄本佑 銀粉蝶 山中崇 葉山獎之 

  • 10.0

    幾近成名

    比利·克魯?shù)缕?nbsp;弗蘭西斯·麥克多蒙德 凱特·哈德森 杰森·李 派屈克·福吉特 佐伊·丹斯切爾 邁克爾·安格拉諾 安娜·帕奎因 費爾魯扎·鮑克 諾亞·泰勒 John Fedevich 馬克·科茲萊克 菲利普·塞默·霍夫曼 利茲·斯托貝爾 吉米·法倫 碧悠·菲利浦斯 J·J·科恩 馬克·佩靈頓 

更多

推薦閱讀

    本站只提供WEB頁面服務,本站不存儲、不制作任何視頻,不承擔任何由于內容的合法性及健康性所引起的爭議和法律責任。

    若本站收錄內容侵犯了您的權益,請附說明聯(lián)系郵箱,本站將第一時間處理。

    © 2026 www.ofjtyp.cn  E-Mail:[email protected]  

    海螺影視模版

    ">
    觀看記錄